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Benedetto Croce: The Philosophy of History and the Duty of Freedom - Chapter III Benedetto Croce: The Philosophy of History and the Duty of Freedom - Chapter III
by Prof. Ernesto Paolozzi
2013-03-04 11:14:34
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Chapter III
The Logic: from the Abstract to the Concrete. Thought and Action

The Logic as Science of the Pure Concept, sketched in 1905 and revised and expanded in 1909, is the fundamental work of Benedetto Croce and, certainly, among the most important in the history of philosophy. To presume to account for the complexity of this work and the possible contradictions left to the living thought of posterity, would be a daring act given the essentially didactic nature of the present work. However, it is necessary to pause on some essential points to account for a philosophy that while not claiming to be definitive is architecturally coherent and tending to be conclusive, by trying to resolve problems and refusing to force them into a sterile intellectual exercise. Croce’s Logic is strongly positioned on the transcendental logic of Kant and Hegel, even if in time a strong connection with Giambattista Vico will emerge, whose conception of the unity of philosophy and philology can be said to be the logical antecedent to the theory of historical judgment. Closer to Kant than to Hegel, as I mentioned earlier, Croce eliminates any transcendental or realistic residue, puts into motion Kant’s synthetic a priori, situates it in history and “realizes,“ to use Hegel’s terminology, the dialectic of opposites by placing it in relation (but it is a question of more than a simple relation) with the logic of distincts.

The foundation of this new logical system, or method, is the assertion of the concept as pure concept, that is, distinct from representations or intuitions and from logical fictions or pseudoconcepts. The true concept arises from representation (previously we have seen that knowledge has for Croce two forms, the intuitive and the conceptual) and without them it could only live as mere abstraction, but it is distinct from it, as it is obvious and natural. But the concept is not the one that we currently designate with this term. It is not an arbitrary abstraction constructed on the concrete representations of reality. This is Croce’s famous example:

If we think of the house, we refer to an artificial structure of stone or masonry or wood, or iron or straw, where beings, whom we call men, are wont to abide for some hours, or for entire days and entire years. Now, however great may be the number of objects denoted by that concept, it is always a finite number; there was a time when men did not exist, when, therefore, neither did his house; and there was another time when man existed without his house, living in caverns and under the open sky. Of course, undoubtedly, we shall be able to extend the concept of house, so as to include also the places inhabited by animals; but it will never be possible to follow with absolute clearness the distinction between artificial and natural [...]; or between the animals which are inhabitants and the non-animals, which nevertheless are inhabitants, such as plants, which, as well as animals, often seek a roof; admitting that certain plants and animals have other plants and animals as their houses. Hence, in view of the impossibility of a clear and universal distinctive character, it is advisable to have recourse at once to enumeration and to give the name house to certain particular objects, which, however numerous they are, are also finite in number, and which, with the enumeration complete, or capable of completion, exclude other objects from themselves (L 23-24).

Therefore, these types of objects lack the necessary, universal character of the true concept. One can think of a world without houses, or without roses and cats (whose concepts are deduced through abstraction) but a world without the concept of utility or morality is unthinkable. Any human action is either useful or useless, good or evil. To other types of concepts, which also appear to take on the characteristics of the most striking truths, a fundamental requisite is missing. They are universal in form, or so they seem, but they are empty, deprived of reality, because to the perfection that characterizes them reality is lacking. They are, to use the useful Heideggerian terminology, precise but not true.

What is then the function of pseudoconcepts? Are they minor truths, as Hegel and later philosophy claimed, or philosophical sketches waiting for higher realization, are they errors of which one should be wary? No, is Croce’s original reply. They have in fact a practical and not a theoretical character. They are distinct and not opposed to art and philosophy.

Now, in order to avoid (for as long as one can) equivocation and misunderstandings, it is good to remember that the pure concept is always also expression, language or whatever else one wants to call it, and that its fundamental character, in fact the only one, is that of being universal and concrete at the same time, so that universality does not degrade into abstraction, and individuality (the concerete!) into mere sensation.

The concept has the character of expressivity; that is to say, it is a cognitive product, and, therefore, expressed or spoken, not a mute act of the spirit, as is a practical act. If we wish to submit the effective possession of a concept to a first test, we can employ the experiment which was advised on a previous occasion: - whoever asserts that he possesses a concept, should be invited to expound it in words, and with other means of expression (graphic symbols and the like). If he refuses to do so and says that his concept is so profound that words cannot avail to render it, we can be sure, either that he is under the illusion of possessing a concept, when he possesses only turbid fancies and morsels of ideas; or that he has a presentiment of the profound concept, that it is in a process of formation, and will be, but is not yet, possessed (L 40-41).

Having established this, it remains to be said that the proper character of the concept is its being universal-concrete: “two words which designate one thing only, and can also grammatically become one: “Transcendental” (L 49).

The Kantian and Hegelian origins of Croce’s thought are unavoidable, which helps us to understand better our assertion about “putting into mobility” the concept of a synthetic a priori. Croce’s system is a continuous linking together of synthetic a priori (art as aesthetic synthetic a priori, judgment as logical synthetic a priori, will and volition as practical synthetic a priori, and so on) in the most general constitutive synthesis of life, of history (of spirit, to use a terminology that creates too many misunderstandings but which is also the most philosophically rigorous) which is unity and distinction and, precisely, a synthetic a priori of both. Before clarifying this last fundamental passage of Croce’s thought and arriving at the conclusion, to individual judgment or historical judgment, it is best to pause on the universal-concrete concept without which the theory of judgment would not make any sense. For instance, the concept of utility can be defined by abstraction as volition of the individual (which means, as we shall see, distinguishing it and putting it in relation with other concepts) but in reality as a concept it cannot exists outside of the infinite utilitarian actions that are accomplished. If this were the case, we would be returning to Platonism, to the world of ideas, whose relation with reality can only be explained mythologically with the theory of recollection, the myth of the Demiurge, and so on. But a modern Platonism, present in Croce as in all great philosophers, moves away from mythology and thinks the concept as immanent and not as transcendental. In their turn, the infinite single utilitarian actions would not be such if they were not qualified conceptually and universally as utilitarian. To think of the concept of utility as outside the single useful actions and vice versa, it would be like thinking an empty space or an object that does not occupy a space. It would be, in short, impossible.

The concept, therefore, is universal-concrete. But what are its relations, how can one determine its logical necessity in the world of spirit? We have arrived at the famous determination of the logic of distincts, at the theory of unity-distinction, as it would be best to put it, since we are dealing with the first fundamental polemical qualification with respect to the logic of opposites. Pure concepts, the categories founding human life in its essence, can only be deduced from their implication, from the very necessity that controls its existence, so to speak. There is no external limit that can serve as principle of identification to the number and quality of the categories. Croce, in reply to his critics, stated that there was nothing that forbade them to decrease or increase the number of categories. As long as that the reductions or the increase could occur on the basis of logical demonstrations and not arbitrarily.

Croce identifies four categories or pure concepts, to which the infinity of experience can be reduced. Human activity, divided in two spheres, a theoretical or cognitive one, and a practical and volitional one, distinguishes, as we saw, knowledge in two forms (art and philosophy) and practical activity in two more forms (the economical and the ethical). We have used the term “activity”, perhaps redundantly, and not very elegantly, because it is important to always remember that the general character of the categories is always that of their infinite mobility, the only guarantee of liberty. The fundamental functions through which our life is exemplified are at the same time “powers of action,” constitutive elements of the judgment that recognizes, both Vichian-like and Kantian-like, that action. Even though thought, at the level of logic, is not properly an action, since it is not a practical act, it is in any case an act, namely, a particular way of doing something, namely, thinking.

Since all subdivisions of the logical form have been excluded, the multiplicity of concepts can be referred only to the variety of objects that are thought in the logical form of the concept. The concept of goodness is not that of beauty. That is, both are logically the same act, since both are logical form, but the aspect of reality designated by the first is not the same designated by the second (L 74-75).

The categories, as they are found in all the summaries of the history of philosophy, respectively, identify the concepts of beautiful (art), truth (philosophy), utility (economics), good (ethics). They are distinct amongst themselves in a precise and rigorous way. At the same time the great theme of dialectics, the motive force of history, if one can say so, arises. Does Croce deny it? Of course not. It is reformed, according to the principle of distinction, which is placed next to that of opposition and unity. According to Croce, contrast, opposition, and the negative -- absolutely necessary so that the positive may arise and assert itself, be motivated and understood in its not abstract reality -- lives within the concept of the distinct. The error of many philosophical systems, and in particular of Hegel in a very major way, consists in having thought the opposition between distincts. For instance, the opposition between art, religion, and philosophy within the sphere of the Hegelian absolute spirit has led to the absurd idea of the death of art, because overcome and transcended by philosophy. In actuality, utility is not opposed to the good or to truth, rather to the useless, the harmful and so on.

Croce’s theory, so far described, appears clear, easily comprehensible and, why not say it, even too simple, and exposed to any type of criticism. In fact, the logic of distincts implies many delicate and complex questions: that of unity, within which alone it is possible to determine if one wants to flounder toward metaphysical or empirical positions; that of the qualification of the negative, of not-being (i.e. the not-beautiful), and that of the real movement of categories or pure concepts, which, because of their universal-concrete nature cannot be thought in abstraction, unless in a purely logical setting, or for didactic purposes. These problems, as is clear by now, run through Croce’s entire philosophy, and return, as we shall see, in History as the Story of Liberty of 1938 and in the later essays on vitality and on Hegel’s dialectic written in the last years and months of his life. But let us turn to the Logic.

[Distinct concepts] are distinguishable in unity; reality is their unity and also their distinction. Man is thought and action, indivisible but distinguishable forms; so much so that in so far as we think we deny action, and in so far as we act we deny thought. But the opposites are not distinguishable in this way; the man who commits an evil action, if he really does something, does not commit an evil action, but an action which is useful to him [...]. Hence we see that the opposites, when taken as distinct moments, are no longer opposites, but distincts; and in that case they retain negative denominations only metaphorically, whereas, strictly speaking, they would merit positive ones. [...] When we talk of negative terms, or of non-values and, thus, of not-beings as existing, existence really means that to the establishment of the fact we add the expression of the desire that another existence should arise upon that existence. “You are dishonest” means “You are a man that seeks your own pleasure” (a theoretical judgment); “but you ought to be (no longer a judgment, but the expression of a desire) “something else, and so serve the universal ends of Reality”(94-98).

The vicissitudes of distincts, therefore, becomes more complex and more clear at the same time. Raffaello Franchini has remarked how in this phase of Croce’s thought a platonic reflection is at play , even if Croce does not quote the Greek philosopher directly. The negative, in fact, is considered reality (the mere negative, not-being, is unthinkable) in so far as different. It is the genial platonic overcoming of the impasse, in which ancient philosophy found itself, because of the unresolved polemic between the followers of Parmenides and Heraclitus.

Life, therefore, is unity and distinction because what else could unity be if not the unity of ‘things” distinct, and what else could distinction be if not distinction of a unity? This means that human activity is not really concretely conceivable if it lacks one of its constitutive elements. Only by metaphor we can affirm that one man is practical and another artistic, and so on. In so doing, generally, we are in the habit of qualifying one aspect of the character of a person, judging it eminently devoted to practical or artistic things. But is there perhaps a man that acts without knowing why and how, or who lives contemplating reality without doing anything else? And above all, is any one action ever conceivable (including theoretical ones, that, in their own way, are also actions) independently of life as a whole? The “passages” that occur between the various movements of the spirit (if we can say so without creating further misunderstandings) always also qualify the negative and are distinguishable only in judgment because, in actual fact, they are deeply united. Within the concrete products of human activity (a work of philosophy, the foundation of a political party) the distinction that is made must not annul its unity. In writing the Logic, Croce has performed theoretical acts but also practical acts. He has decided, wanted to write it. He thought of organizing it in a certain way. He has privileged one didactic method over another. In founding the Italian socialist Party, Turati thought, that is, judged when it was the most appropriate historical moment. He believed that it was morally proper to perform that act, and so on. In short, he acted and thought, he performed moral, political and theoretical acts in the unity and indissolubility of life as a whole.

Of great importance to what we have been saying is the question of the origin of error, which is strictly connected with it. Thought cannot be wrong. If it were to fall in error once, there would be no longer any guarantee as to the infallibility of thought itself and, therefore, sooner or later, skepticism would triumph. We are aware of how absurd this may seem but if we reflect well on this question it is possible to agree that in and of itself thought cannot err. How, then, can error originate since it exists, irrefutably? For instance, it originates because a scholar intends, wants, to defend Croce and goes out of his way to demonstrate the validity of his thesis even in the face of serious and rigorous critiques. This could also happen unconsciously, of course, when one is moved, as it often happens, by strong and sincere passion. This is how the Catholic wants to defend his dogma; the Marxist his Communism, and so on. I have emphasized the verb to want more than once. In fact, in the given example, what generates error is an act of will, a practical exigency. This is the practical origin of error to which the example we quoted above gives a noble origin. One can err on purpose, out of fear, ambition, carelessness, for many reasons that have nothing to do with philosophy.

I have already alluded to the fact that the question is, in a certain way, even more complex. In fact, there a few cases when the logical error originates, instead, from an excess of intuition, which is what in philosophy we defines as aestheticism. In this case the origin of the error is not of a practical nature. On the other hand, the artist also finds himself in the condition of often having to live the drama of the contrast between his representational world and his general conception of the world. From Dante to Tasso to Manzoni, to cite the most famous examples, it is a continuous coming up against this fundamental contradiction, that in Torquato Tasso’s case became a tragedy.

Something of the same occurs even in praxis. Aestheticism, philosophism, moralism lead inevitably to error even within the sphere of the category of utility. It is important to understand the question well. Morality, for instance, in substance, is what restrains, controls the useful, and, in so doing, accomplishes its necessary function. Another thing is being inhibited from pursuing one’s own utilitarian purpose in the name of moralistic ideals, in short, this is what Machiavelli meant, essentially, when he asserted that States cannot be governed by Our Fathers and Holy Marys. As one can see, the question is complex and intricate and there is no doubt that if one wants to go beyond Croce without running the risk of going backward this is one of the points that offer ample subject for reflection.

Among the many other issues, there is one major and fundamental aspect of Croce’s Logic that needs to be examined, namely, the now ancient question, which some interpreters have thought to be superfluous for the same reasons given by Croce, of the unity of the judgment of definition and individual judgment.
The descent, as we have called it, from the pure concept to the intuition, or the examination of the relations which are established between the concepts and the intuitions, when we attained the first, and of the ensuing transformations, to which the second are subject, might at first sight seem complete. The concept, which was first contemplated in abstraction, has been demonstrated in a more concrete manner, in so far as it takes the forms of language and exists as the judgment of definition. Further, we have shown how, when thus concretely possessed, it reacts upon the intuitions from which it was formed, or how it is applied to them, as it is called, giving rise to the individual or perceptive judgment. [...] The judgment of definition is not an individual judgment; but the individual judgment implies a previous judgment of definition. To think the concept of man does not mean that the man Peter exists. But if we affirm that the man Peter exists, we must have first have affirmed that the concept of man exists, or is thought (L 198-99).

Croce explains, with a wealth of examples and particulars, that the judgment of definition, the definition, is dissolved in the unique, true judgment which is always an individual judgment. Even the most pure definition is always conditioned by the “individual” (historical) situation in which it is pronounced:
“Virtue is the habit of moral actions,” is a formula which can be pronounced a hundred times. But if it be seriously pronounced as a definition of virtue each of those hundred times, it answers to a hundred psychological situations, more or less different, and is in reality not one, but a hundred definitions (L 210)

Judgment, therefore, is logical synthetic a priori, real unity of truth of reason and truth of fact, indissoluble union of representation or intuition and concept, subject and predicate, particular and universal. Judgment is individual because it originates in history and is exemplified in history, it is universal because it puts into motion the universal category and because it is in its form (the a priori conjunction of subject and predicate) universal.

From this perspective, it is easier to understand the apparent paradoxical nature of the unification of philosophy and history made by Croce, namely the reduction of philosophy to a methodological moment of historiography. The misunderstandings, even banal, on this theme are countless. Paradoxically, the same educational reform, originated by Croce and Gentile, in which, sole country in the world, the teaching of philosophy was unified with that of history, is in large part a gigantic misunderstanding. In fact, the unity of philosophy and history means essentially that it is useless to conceive a history of objective facts, not thought out. And, vice versa, it means that it is mythological to believe in a pure philosophy which is not always historically conditioned. But to derive from this that the same teacher ought to know the history of philosophy as well as the ethico-political or economic history, the step is great, and it certainly does not correspond to the real, profound demands of Croce’s thought and of didactic “common sense.”

But let us turn to the central moment of Croce’s philosophy , to the theory of judgment as historical judgment, sole form of knowledge because unity of representation and concept. In History as the Story of Liberty, in which, as Croce intimates in the Forward, he takes up the themes of History: Its Theory and Practice, the question is resumed once again and situated further in the perspective of the relation between theory and praxis, thought and action. It is a complex and fundamental shift, so much so that Croce himself could write: ”in writing these pages the author has sometimes had the feeling, in the course of his meditations, of having penetrated into the grueling depths of Goethe’s Kingdom of the Mothers.”(HSL 8) Here emerges the great theme that will preoccupy the later Croce confronted by the dark and yet necessary forces that seemed to shake humanity from its bowels. This is the theme of vitality, raw and green, that will engage the meditations of the old philosopher, gloomy spectator of the drama staged by the totalitarianisms of World War II. This is how Croce puts it with his usual simplicity and clarity:
It is not enough to say that history is historical judgment, it is necessary to add that every judgment is an historical judgment or, quite simply, history. If judgment is a relation between a subject and a predicate, then the subject or the event, whatever it is that is being judged, is always an historical fact, a becoming, a process under way, for there are no mobile facts nor can such things be envisaged in the world of reality. Historical judgment is embodied even in the merest perception of the judging mind (if it did not judge, there would not even be perception but merely blind and dumb sensation). For example the perception that the object in front of me is a stone, and that it will not fly away of its own accord like a bird at the sound of my approach, makes it expedient that I should dislodge it with my stick or with my foot. The stone is really a process under way. Struggling against the forces of disintegration and yielding only bit by bit, and my judgment refers to one aspect of its history (HSL 32).

Allowing, therefore, that this cognitive process is real, and distinct from “false knowledges” (which are not found to be false but practical and necessary classifications), what is the relation between thought and action, theory and praxis? Man, as we saw, is always a whole man, he is not divided, split, as could appear from the analytic necessity to describe what in reality is synthetic. Croce, in fact, writes:

For if knowledge is necessary to practice, practice, as we have demonstrated above, is necessary to knowledge, and cannot arise without it. There is a circle of the spirit which, when recognized, does away with all need of a primary absolute and a secondary dependent, by continually making the first the second and the second the first (HSL 41).

Judgment, therefore, prepares the action (even without determining it, Croce specifies) but from the action, in a certain way, it originates as exigency of knowledge. We realize, for instance, that in a given historical moment democracy is at risk. It is probable, then, that we reread Tocqueville , the great scholar of democracy, and that reading will lead us to assume attitudes of a certain type in the concrete political praxis. This is an example, among many, to be taking with the benefit of inventory, but it is clear that even the most common of our actions requires a reflection, a judgment.

But is this how the nexus between judgment and action is resolved and motivated? Raffaello Franchini proposes an acute rereading of Croce’s thought by trying to take a further step, from historical judgment to perspective judgment, intending in this mannerway to reinforce the unitarian aspect and to save, naturally, the distinction. Judgment, in placing history always before us, in our perspective, makes history itself happen, even though leaving it free, since judgment “grasps” a part of reality contributing to the creation of new conditions, new subjects of judgment. History and liberty. In conclusion the great theme of the relation between philosophy and liberty presents itself.

Croce denies and combats what he calls terminal philosophies (those of Hegel and Marx amongst others) or philosophies of history that subordinate the development of history to absolute principles, stationary and external to history itself. It goes without saying that wanting to read history according to a pre-established plan, or according to laws and causes that would determine it (as in Auguste Comte) means to fall in more or less implicit metaphysical forms. Whether it is the idea or matter that determines history, matters little, what is being denied is that history can be determined, that one can, as Croce put it effectively, put the pants on the world.

It is understood that once we accept the idea that history is governed by laws or causes, that a single absolute determines its development, inevitably, at the political level, we arrive at justifying more or less violent forms of totalitarianism, even though one is trying sincerely to defend democracy. In views such as these, the political adversary is not simply an enemy to be abolished because of differing opinions. The political adversary embodies the very enemy of history, who wants to shatter the supreme laws of history and who, eventually, will be crushed by history itself. Man can only suffer this process. In some ways he is de-responsibilized. In the last instance, man is not free.

The unity of philosophy and history postulated, or better, deducted by Croce, is of an entirely different nature. Philosophy does not swallow up history (the opposite could be the case, in Croce’s system) but thinks history and with history of which it is a part, it is transformed continuously in the ceaseless, perpetual struggle with the negative. From this viewpoint, Croce’s thought is a severe critique of the philosophies of history and historicism in its nineteenth century version.

History, then, is the story of liberty in the sense that liberty constitutes its essence, not because at the climax of history, at a certain moment, without knowing why, the kingdom of liberty would be realized. Who believed, even kindly, in this dogma, has often contributed to create reigns of oppression and slavery.

Croce writes:

He sees this and he sees so many other things and he draws the conclusion that if history is not an idyll, neither is it a “tragedy of horrors” but a drama in which all the actions, all the actors, and all the members of the chorus are, in the Aristotelian sense, “middling,” guilty-non-guilty, a mixture of good and bad, yet ruled always by a governing thought which is good and to which evil ends by acting as a stimulus and that this achievement is the work of liberty which always strives to re-establish and always does re-establish the social and political conditions of a more intense liberty. [...] Having said this, what is then the anguish that men feel for liberty that has been lost, the invocations, the lost hopes, the words of love and anger which come from the hearts of men in certain moments and in certain ages of history? We have already said it in examining a similar case: these are not philosophical nor historical truths, nor are they errors or dreams; they are movements of moral conscience; they are history in the making (HSL 62).

Croce’s complex thought is certainly not exhausted here, and many are the implications that should be discussed and cleared up from the critique of logical formalism, to philosophism and aestheticism, from the pages dedicated to the history of philosophy in the Historical Retrospect, in appendix to the Logic, to the many minor writings, to the reviews, the translations, and so on.

The essay on Hegel with the fortunate title of “What is living and what is dead of the philosophy of Hegel” represents a decisive stage along Croce’s long and troubled journey. Even if the dialogue with Hegel will last until the last months of the philosopher’s life, it is without doubt in this early composition that Croce’s hermeneutics is manifest in all its strength, with its capacity to catch Hegel’s most inner meanings. The great themes that we identified in the Logic are also the themes of the dialogue with Hegel: the dialectic , the status of the sciences, the historicity and eternity of philosophy. In acknowledging his debt to the great philosopher, Croce does not spare him his criticism, at times even severe, written in a clear and transparent style that does not avoid an irony, which is sometime a bit too pungent. But in reading the pages that he dedicates to the last days of the German philosopher, we have the confirmation that Croce, while being less “Hegelian,” as some critics have made him out to be, he always found in Hegel a constant point of reference. We are referring to the tormented pages that accompany the reflections on the category of vitality, to the years of the afterthoughts on the dialectic, to the question of the motor principle of the very same categories. Croce reflects over the essence of Hegel as the author of a great Ethic even more than a great Logic, who made the effort of redeeming evil, acknowledging its essential function. It is the theme of the Anti-Christ which is in us, of the perennial dialectic between positive and negative.

Giambattista Vico is Croce’s “author” par excellence, if we take into consideration, within this perspective, what we could also define the affective value, a sympathy, in the etymological sense, for the “misunderstood” genius of the philosopher of the New Science. It is not by chance, that the tenor of his study on Vico is didactic and almost popular. The critiques that this study contains (and how could it have been otherwise), are always respectful and sympathetic. In a few parts, Croce even seems to attribute to the Neapolitan philosopher modern ideas and concepts, and the fine line between Vico’s and Croce’s views is not always apparent.

In Croce’s interpretation shines forth Vico’s originality and courage who, in full rationalist era, between Cartesians and Empiricists, announces a new science of history. He anticipates Kant’s synthetic a priori and Hegel’s concrete-universal. He thinks the philosophical character of history and the historical character of philosophy; confronts with independence and a new spirit the great themes of natural law and politics and, above all, he intuits the deep sense of art distinguishing it from philosophy since one is closer to the knowledge of the individual and the other to universal knowledge, thus sanctioning the autonomy of art. From this perspective, therefore, Vico appears the precursor of the great German philosophy, of the renewed historicism of De Sanctis and Croce. Whatever the discussions that may arise on Croce’s various interpretations and whatever the judgment on the place of Vico in his time may be, Croce’s inquiry as well as those of his disciple and friend Fausto Nicolini were decisive for the European and world divulgation of a philosopher who was always more familiar than known, admired but not always understood.


The book has been translated from Italian, proofread and diligence in English by Professor Massimo Verdicchio of the University of Alberta, Canada


Chapter I - Chapter II - Chapter III - Chapter IV - Chapter V - Chapter VI - Chapter VII


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Emanuel Paparella2013-03-04 12:17:02
Ernesto, indeed this is the chapter that needs to be disseminated widely in the Anglo-Saxon academic world which seems to know all about Croce's aesthetics but have hardly read any of the several books by Croce on metaphysics and logic. Well done.

Emanuel Paparella2013-03-04 12:41:59
P.S. I particularly like the comparison you mention at the end of this chapter between Croce’s and Vico’s philosophy of history. Some scholars have claimed that Croce distorts Vico’s philosophy but that is not so. The place where one may find some divergence is within the concept of Providence in Vico. Croce seems to put emphasis on its immanent aspect risking losing sight of its transcendent aspect, or better, of the fact that the two need to be kept together as encompassing in the way of a paradox both the universal and the particular. In this Croce would not disagree with Vico.
To give a pedestrian example to the Ovi readership since it is related to other contributions presented in Ovi: whenever one hears the word “success” banded about in the abstract one needs to pause and place the word in the concrete historical existential situation of the human condition by asking questions such: how do you define success? What are the criteria for your definition? One will invariably find out that the criteria and the priorities are in fact there behind that abstract term “success” but they are usually not spelled out, often they are just assumed. It is the duty of a philosopher worth his/her salt to examine or even challenge those assumptions. If one learns nothing else from Vico and Croce, that would be a beginning.

Ernesto Paolozzi2013-03-04 22:56:58
Dear Lino, I naturally wish to thank you not only for the personal praizes and compliments but also for the intelligent work of interpretation of the entire philosophical Italian tradition within the framework of contemporary philosophy. This does not happen often in this crucial phase of Western philosophy. I’d like to also thank Leah and tell her that, if I have understood what she wrote, I find myself in agreement on the fact that we are born and live in contradictions. I would simply add that if art is a synthesis of feelings and rationality, that means that that synthesis is something new, a third thing, it is not the mathematical sum of rationality and feelings, but intuition. In any case, it will become clearer with the most crucial chapter on logic that contradiction assumes and presupposes distinction. We are in effect contradictions of unity in distinction and distinction in unity. What we call contradiction is life and history. It is the overcoming or the truth coming to the fore, as you yourself have noted, of the Aristotelian principle of non-contradiction. Many thanks for your very acute observations.

Emanuel Paparella2013-03-05 16:47:14
Indded Ernesto. In this regard see the comment, or footnote if you will, I appended to today's article on Christianity vis a vis the EU and the painting by William Black exhibited on the front page of Ovi today. Be well.

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